Art & Language

CV

MICHAEL BALDWIN, b. 1945, Chipping Norton, Oxon; artista y escritor

MEL RAMSDEN, b. 1944, Ilkeston, Derbyshire; artista y escritor

CHARLES HARRISON, b. 1942, Chesham, Bucks; escritor y editor.

Art & Language vive y trabaja en cerca de Banbury, Oxon

Exposiciones

EXPOSICIONES INDIVIDUALES 

1967

  • ’Hardware Show’, Architectural Association, Londres

1968

  • “Vat ’68’, The Herbert Art Gallery, Coventry
  • ’Dematerialisation Show’, Ikon Gallery, Birmingham

1969

  • Pinacotheca Gallery, Melbourne

1971

  • Galerie Daniel Templon, París
  • Galleria Sperone, Turín
  • ‘Tape Show: Exhibition of Lectures’, Dain Gallery, Nueva York
  • ‘Questionnaire’, Galleria Daniel Templon, Milán
  • ‘The Air-Conditioning Show (reconstituted 1966 work)” Visual Arts Gallery, Nueva York

1972

  • ‘The Art & Language Institute’, Galerie Daniel Templon, París
  • ‘Documenta Memorandum (Indexing)’, Galerie Paul Maenz, Colonia
  • ‘Analytical Art’, Galerie Daniel Templon, París

1973

  • Galerie Paul Maenz, Colonia
  • Lisson Gallery, Londres
  • ‘Annotations’, Galerie Daniel Templon, París
  • ‘Index 002 Bxal’, John Weber Gallery, Nueva York

1974

  • Galleria Sperone, Turín
  • Galerie Paul Maenz, Colonia
  • Galerie Bischofberger, Zurich
  • Galleria Schema, Florencia
  • Lisson Gallery, Londres
  • Galerie MTL, Bruselas
  • ‘Art & Language 1966-1975’, Museum of Modern Art, Oxford
  • Studentski Kulturni Centar, Belgrado

1975

  • ‘New York <—> Australia’, Art Gallery of New South Wales,Sydney, and the National Gallery of Victoria, Melbourne
  • Foksal Gallery, Varsovia
  • ‘Dialectical Materialism’, Galleria Schema, Florencia
  • Galerie Ghislain Mollet-Viéville, París
  • Galerie MTL, Bruselas
  • ‘Music-Language’, Galerie Eric Fabre, París
  • ‘Piggy-Cur-Perfect’, Auckland City Art Gallery, Auckland
  • ‘Music-Language’, John Weber Gallery, Nueva York

1977

  • ‘Illustrations for Art-Language’, Robert Self Gallery, Londres
  • ‘Music-Language’, Galleria Lia Rumma, Roma y Nápoles
  • Robert Self Gallery, Londres

1978

  • ‘Art-Language’, Galerie Association, Niza
  • ‘Flags for Organisations’, Cultureel Informatief Centrum, Gante
  • ‘Flags for Organisations’, Lisson Gallery, Londres

1979

  • ‘Ils donnent leur Sang; donnez votre Travail’, Galerie Eric Fabre, París
  • ‘Portraits of V.I. Lenin in the Style of Jackson Pollock’, Jan Sack, Antwerp

1980

  • ‘Portraits of V.I. Lenin in the Style of Jackson Pollock’, University Gallery, Leeds
  • ‘Portraits of V.I. Lenin and others in the Style of Jackson Pollock’, Lisson Gallery, Londres
  • ‘Portraits of V.I. Lenin in the Style of Jackson Pollock’,Van Abbemuseum, Eindhoven

1981

  • ‘Gustave Courbet’s ’Burial at Ornans’ Expressing…’, Galerie Eric Fabre, París
  • ‘Portraits of V.I. Lenin in the Style of Jackson Pollock’, Centre d’Art Contemporain, Ginebra

1982

  • ‘Index: Studio at 3 Wesley Place Painted by Mouth’, De Vleeshal, Middelburg
  • ‘Art & Language’, retrospective, Musée d’Art Moderne, Toulon

1983

  • ‘Index: Studio at 3 Wesley Place I, II, III, IV’, Gewad, Gante
  • ‘Index: Studio at 3 Wesley Place (Illuminated by an Explosion Nearby), V, VI’, Lisson Gallery, Londres
  • Index: Studio at 3 Wesley Place’, Ikon Gallery, Birmingham
  • Index: Studio at 3 Wesley Place (Illuminated by an explosion Nearby), VII, VIII’, Galeria Grita Insam, Viena
  • Los Angeles Institute of Contemporary Art, Los Ángeles

1985

  • ‘Studies for the Studio at 3 Wesley Place’, Tate Gallery, Londres

1986

  • ‘Confessions: Incidents in a Museum’, Lisson Gallery, Londres
  • ‘Index: An Incident in a Museum’, Galerie de Paris, París

1987

  • ‘Index: Incidents in a Museum’, Lisson Gallery, Londres
  • ‘Art & Language: The Paintings’, Palais des Beaux-Arts, Bruselas
  • Marian Goodman Gallery, Nueva York

1988

  • ‘Hostages’, Lisson Gallery, Londres

1989

  • ‘Hostages: Incidents and Peoples’ Flags’, Galerie Max Hetzler, Colonia
  • Art & Language: Early Works 1966-1974’, Galerie Sylvana Lorenz, París
  • ‘Hostages’, Galleria Schema, Florencia

1989

  • ‘Hostages XXIV-XXXV’, Marian Goodman Gallery, Nueva York

1991

  • ‘Hostage Paintings: The Dark Series’, Lisson Gallery, Londres
  • Hostage Paintings 1987- 1991’, ICA, London; John Hansard Gallery, The University, Southampton; Arnolfini Gallery, Bristol
  • ‘Hostages’, Galerie de Paris, París
  • The British School, Roma

1992

  • Galerie Isy Brachot, Bruselas
  • Grita Insam Gallery, Viena

1993

  • Galerie Nationale du Jeu de Paume, París

1994

  • ‘Early Work 1965-1976; Recent Work 1991-1994’, Lisson Gallery, Londres

1995

  • Art & Language and Luhmann’, Kunstraum, Viena
  • Juana de Aizpuru, Madrid

1996

  • ‘Art & Language’, Kunsthalle St Gallen
  • Juana de Aizpuru, Sevilla
  • ‘Sighs trapped by Liars’, Galerie de Paris,

1997

  • ‘Art & Language: Conceptual Art from 1966 to 1996’, Mulier-Mulier Gallery, Knokke

1998

  • ‘Sighs Trapped by Liars’, Mulier-Mulier Gallery, Knokke
  • Galerie Poo Poo, Londres

1999

  • ‘Art & Language in Practice’ , Fundació Antoni Tapies, Barcelona, Abril-Junio
  • “Cinco Ensayos’, Galería Juana de Aizpuru, Madrid, Mayo
  • ‘The Artist out of Work: Art & Language 1972-1981’ PS1/Contemporary Art Center, Nueva York, 12 Septiembre – 18 Diciembre.
  • ‘Three Essays’, Galerie Grita Insam, Viena, Octubre-Noviembre

2000

  • Art & Language & Luhmann No.2’ ZKM, Karlsruhe, Abril – Mayo

2002

  • ‘Too Dark to read, Motifs Rétrospectifs, 2002-1965’ Musée d’Art Moderne Lille
Métropole. Villeneuve d’Ascq., Francia

2003

  • ‘What work does the Art work do?’ London Metropolitan University, May.
  • ‘Art & Language’, Migrosmuseum fur gegenwartskunst, Zurich, November

2004

  • “Art & Language”. Centro de Arte Contemporáneo de Málaga. Málga
  • “Art & Language” Galeria Filomena Soares. Lisboa.

2005

  • “Hard to Say When” Lisson Gallery, Londres.
  • “Now They Are Surrounded” Centro de la Artes y la tecnologia, Karlsruhe. Exposicion acompañada del Sinposium “Art & Language and Luhmann III” (Nov -2005)

2006

  • “Art & Language” Galeria Grita Insam. Viena
  • “Il ne reste qu’à chanter” exposición realizada en dos espacios: Galeria L’Erban, nantes (Espejos 1965, Karaoke 1975-2005) y en el Chateau de la Bainerie (trabajos de 1965 – 2005)

2007

  • “Art & Language” Distrito Cu4tro, Galeria de Arte, Madrid
  • “Now they are sorrounded: Reconfigured”. London Metropolitan University.

2008

  • “Brouillages/blurrings. Works on paper”. Galerie Thaddaeus Ropac – Paris.
  • “Art & Language works 1965-78, 2007-2008”. Mulier Gallery, Knokke – Heist

2009

  • “Art & Language”. EMMA, Finlandia
  • “Art & Language”. Espacio Distrito Cu4tro, Madrid
  • “Art & Language, Works on paper “. Galerie Thaddaeus Ropac – Salzburgo

2010

  • “Art & Language”. Mulier Mulier Gallery. Belgica
  • “Art & Language: portraits and a Dream”. Lisson Gallery, Londres

2011

  • “Art & Language: oficial squares again”. Galerie Grita insam, Vienna, Austria.
  • ‘Badges’, Mulier Mulier Gallery, Knokke, August-September.
  • ‘Official Squares Again’, Galerie grita Insam, Vienna, September-November.
  • ‘Portraits and a Dream’.Studio 3, Jarman Building, University of Kent, Canterbury October-December

2012

  • ‘Art & Language’. Migrosmuseum fur Gegenwartskunst, Zurich, March-April.

2013

  • ‘Letters to The Red Krayola’. Kadel Willborn Gallery, Dusseldorf, April-May
  • ‘Art & Language’. Museum Dhont-Dhaenens, Deurle, April-June
  • ‘Art & Language’. Garage cosmos, Brussels, April-June.
  • ‘Art & Language paints a picture’. Galeria Juana de Aizpuru. Madrid

2014

  • ‘Art & Language Incompleto’. Colección Méaille. MACBA-Museo de Arte Contemporáneo de Barcelona.
EXPOSICIONES COLECTIVAS

1968

  • ‘Language II’, Dwan Gallery, Nueva York

1969

  • ‘March’, catalogue-show, Seth Sieglaub, Nueva York
  • Paula Cooper Gallery, Nueva York
  • Simon Fraser University, British Columbia
  • ‘557, 087’, Seattle, Washington
  • ‘955, 000’, Vancouver, British Columbia

1970

  • ‘Art in the Mind’, Allen Memorial Art Museum, Oberlin, Ohio
  • ‘Conceptual Art and Conceptual Aspects’, New York, Cultural Centre, Nueva York
  • ‘Information’, Museum of Modern Art, Nueva York
  • ‘Language IV’, Dwan Gallery, Nueva York
  • ‘Idea Structures’, Camden Arts Centre, Londres
  • ‘Summer Show’, Studio International, Londres
  • ‘Concept-Théorie’, Galerie Daniel Templon, París

1971

  • ‘The British Avant-Garde’, New York Cultural Center, Nueva York
  • ‘Septième Biennale des Jeunes’, Parc Floral de Paris, París
  • ‘Al Arte come Idea en Ingleterra’, Buenos Aires (y tour por Sur América)
  • ‘The Boardwalk Show’, Atlantic City, New Jersey
  • ’Taal-Kunst; een faset van Konseptuele Kunst’, Utrecht
  • ‘Arte Conceptuale’, Galleria Daniel Templon, Milán
  • ‘Art Systems’, Museum of Art, Buenos Aires
  • Art as Idea’, Victoria and Albert Museum Circulation Department, Londres (Colección en préstamo permanente)

1972

  • ‘Conceptual Art’, Gallery of the Students’ Cultural Centre, Belgrado
  • ‘Encuestros’, Pamplona
  • ‘Konzept Kunst’, Kunstmuseum, Basilea
  • ‘De Europa’, John Weber Gallery, Nueva York
  • ‘Dokumenta 5’, Museum Friedericianum, Kassel
  • ‘The New Art’, Hayward Gallery, Londres

1973

  • ‘Einige Frume Beispiele Konzeptueller Kunst Analytischen Charakters’, Galerie Paul Maenz, Colonia
  • ‘Contemporanea’, Roma

1974

  • ‘L’Art au Present’, Palais Galliera, París
  • ‘Projekt’74’, Colonia
  • ‘Kunst uber Kunst’, Kunstverein, Colonia
  • ‘New York Art & Language’, Galleria Schema, Florencia
  • ‘Summer Group Show’, John Weber Gallery, Nueva York
  • ‘Report from SoHo’, Gray Gallery, New York University, Nueva York

1976

  • ‘Drawing Now’, Museum of Modern Art, Nueva York
  • ‘Arte Inglese oggi 1960-76’, Palazzo Reale, Milán
  • ‘Sculptor’s Drawings’, Fine Arts Building, Nueva York
  • ‘Biennale di Venezia’, Venecia
  • New Work/New York’, Fine Arts Gallery, California State University, Los Ángeles

1977

  • ‘Lisson Gallery’, Fine Arts Building, Nueva York
  • ‘Radical Attitudes to the Gallery’, Art Net, Londres
  • ‘Ils donnent leur Sang: donnez votre Travail’, mural at Eldon Square Shopping Centre, contribution to an exhibition of art in public spaces throughout Newcastle-upon-Tyne

1978

  • ‘Poster-Work’, Belgrade Museum, Belgrado
  • Group Show, Lisson Gallery, Londres

1979

  • ‘Un Certain Art Anglais’, Musée d’art moderne de la Ville de París
  • ‘Languages’, Third Eye Centre, Glasgow

1980

  • ‘Kunst in Europa na ’68’, Museum van Hedendaagse Kunst, Gante

1981

  • Summer Group Show Lisson Gallery, Londres
  • Museum van Hedendaagse Kunst, Gante

1982

  • ‘Aspects of British Art Today’, Metropolitan Museum, Tokio
  • ‘Mannerism: a Theory of Culture’, The Vancouver Art Gallery
  • ‘Dokumenta 7’, Kassel

1983

  • ‘New Art’, Tate Gallery, Londres
  • ‘Masterworks of Conceptual Art’, Galerie Paul Maenz, Colonia

1984

  • Sydney Biennale, Sydney
  • ‘1965-1972 When Attitudes Became Form’, Kettle’s Yard, Cambridge
  • ‘L’Architecte est absent: works from the collection of Annick and Anton Herbert’, Van Abbemuseum, Eindhoven
  • Atheneum, Hartford, Connecticut

1985

  • ‘The British Art Show’, Ikon Gallery, Birmingham

1986

  • ‘Prospekt 86’, Frankfurter Kunstverein, Frankfurt

1987

  • ‘Perverted by Language’, Hillwood Art Gallery, Long Island University
  • ‘British Art of the Twentieth Century: The Modern Movement’, Royal Academy, Londres
  • ‘Current Affairs: British Painting and Sculpture in the ’80s’, Museum of Modern Art, Oxford
  • ‘British Art of the 1980s’, Liljevalks, Konsthall, Estocolmo
  • ‘Minimal Art, Conceptul Art, Narrative Art, Art & Language’, Galerie Christian Cheneau, París.
  • ‘The Analytical Theatre: New Art from Britain’, organized by the Independent Curators Inc, Nueva York
  • Akron Art Museum, Ohio; Alberta College of Art, Calgary; University Art Museum California State University, Long Beach; Institute of Contemporary Art, University of Pennsylvania, Filadelfia

1988

  • ‘British Art: The Literate Link’, Asher/Faure, Los Ángeles
  • ‘Art Conceptuel 1’, Musée d’art contemporain, Burdeos
  • ‘Starlit Waters’, Tate Gallery, Liverpool

1989

  • ‘Words’, Tony Shafrazi Gallery, Nueva York
  • ‘Jet Lag’, Turon Travel Inc., Nueva York
  • ‘Sans titre 1989’, Musée national d’art moderne, Centre Georges Pompidou, París
  • ‘The Situationist International, 1957-1972’,Musée national d’art moderne, Centre Georges Pompidou, Paris; Institute of Contemporary Art, London; Institute of Contemporary Art, Boston
  • ‘L’art conceptual, une perspective’, Musée d’art moderne de la Ville de Paris; Fundacion Caja de Pensiones, Madrid; Deichtorhallen, Hamburg; Musée d’art contemporain, Montreal

1990

  • ‘Glasgow’s Great British Art Exhibition’, McLellan Galleries, Glasgow
  • ‘Approaches to Realism’, Bluecoat Gallery, Liverpool, Oldham Art Gallery, Oldham; Darlington Arts Centre, Darlington
  • ‘65-75 Aspetti e Pratiche dell’ Arte Europea’, Castello di Rivara, Turín
  • ‘Art Conceptuel, Formes Conceptuelles’, Galerie 1900-2000, París
  • ‘Rhetorical Image’, The New Museum of Contemporary Art, Nueva York

1991

  • ‘Inheritance and Transformation, Selected Works and New Projects’, The Irish Museum of Modern Art, Dublín

1990

  • Team Spirit’, organized by Independent Curators Incorporated, New York: Neuberger Museum, New York; Cleveland Center for Contemporary Art, Cleveland; The Art Museum at Florida International University, Miami; Spirit Square Center for the Arts, Charlotte; Davenport Art Museum, Davenport; Laumeier Sculpture Park, St. Louis

1992

  • ‘Knowledge: Aspects of Conceptual Art’, University Art Museum, Santa Barbara
  • ‘Travaux d’Artistes’, Galerie Roger Pailhas, París y Marsella
  • ‘The Cutting Edge’, Barbican Art Gallery, Londres
  • ‘Repeticion/Transformacion’, Museo Nacional Centro de Arte Reina Sofia, Madrid
  • ‘La Freccia Evolutiva dell’Irreversibilitá’, Studio Oggetto, Milán
  • ‘Le Sens Figuré’, Acquisitions of FRAC d’Ile-de-France 19911992, Centre international d’art contemporain de Montreal, Québec.
  • Centre Culturel, Pierrefonds; Galerie Les 3 C, LaSalle; Maison de la Culture Cote-des-Neiges, Montreal; Studio A, Montreal
  • ’1968’, L’Usine, Dijon
  • ‘Now They Are’, Grita Insam Gallery, Viena

1993

  • ‘Die Arena Des Privaten’, Kunstverein, Munich

1994

  • ‘The Ideal Place III’, Haags Centrum voor Aktuele Kunst, The Hague
  • ‘Answer Machine Project. 50 x 50 x 50’, Organized by David Goldenberg and John Roberts, Londres

1995

  • ‘British Art of the 1980s & 1990s – works from the WeltKunst Collection’, The Irish Museum of Modern Art, Dublín
  • ‘From Here’, Waddington Galleries and Karsten Schubert Gallery, Londres
  • ‘Les fragments du désir’, Futur Musée des Instruments, Bruselas
  • ‘Toponimias (8) Ohos Ideas Del Espacio’, Fundación ‘La Caixa’, Madrid
  • ‘Reconsidering the Oject of Art 1965-1975’, Museum of Contemporary Art, Los Ángeles

1997

  • ‘The Impossible Document: Photography and Conceptual Art in Britain 1966-1976’, Camerawork, Londres
  • ‘Magic der Zahl in der Kunst des 20 Jahrhunderts’, Staatsgalerie, Stuttgart
  • ‘Documenta X’, Kassel
  • ‘Musterwohen’, Hofgarten am gendarmenmarkt, Berlín.
  • ‘Livres d’artistes. L’invention d’un genre 1960-1980’, GalerieMansart, París.

1998

  • ‘Odradek’ Bard College, Nueva York
  • ‘l’envers du décor, Dimensions décoratives dans l’art du xxe Siècle’, Musée d’art Moderne, Villeneuve d’Ascq

1999

  • ‘Museum as Muse: Artists Reflect’, Museum of Modern Art, Nueva York
  • ‘Global Conceptualism: Points of Origin 1950s-1980s’, Queens Museum of Art, Nueva York Abril – Agosto
  • ‘Arrested Ambition’, Apex Art New York, curado por Gregory Williams, Mayo-Junio
  • ‘Get Together, Kunst Als Teamwork’, Kunsthalle, Wien, Octubre – Noviembre
  • ‘The 1999 East Wing Collection’, Courtauld Institute of Art, Londres, Noviembre

2000

  • Conception, Conceptual Documents 1968-72’ Norwich Gallery (Enero) y viajando al Henry Moore Institute and Chisendale Gallery, Londres

2001

  • ‘Live in Your Head”Concept and Experiment in Britain
  • 1965-75’ Whitechaple Gallery,London, Febrero- Abril.
  • ‘The British Art Show 5’, exposición itinerante organizada por The Hayward Gallery, Edinburgh Abril – Junio
  • ‘Many Coloured Objects placed side by side to form a row of Many Coloured Objects’, works from the collection of Annick and Anton Herbert, Casino Luxembourg, Octubre.

2002

  • ART 33 BASEL. Stand Galería Juana de Aizpuru. Basilea, Suiza
  • ART BASEL MIAMI BEACH. Stand Galería Juana de Aizpuru, Miami, USA.

2003

  • ARCO 2003. Stand Galería Juana de Aizpuru. Madrid.
  • ART 34 BASEL. Stand Galería Juana de Aizpuru. Basilea, Suiza.
  • “Exposición de Art & language”. Berlin Mockba. Berlin / Moscú

2004

  • ARCO’04. Stand Galeria Juana de Aizpuru. Madrid
  • “Berlin-Moscow / Moscow Berlin 1950-2000”. Martin Gropius Bau. Berlin
  • Art 35 Basel. Stand Galería Juana de Aizpuru. Basilea, Suiza
  • “N(E)ORRETRATOS” Galería Juana de Aizpuru. Madrid
  • “Before the End (The Last Painting Show)” Comisariada por Olivier Mosset, Instituto Suizo de, New York, USA

2005

  • ARCO’05. Stand Galería Juana de Aizpuru. Madrid
  • “Cram Sessions: 03 Sound Politics”, Baltimore Museum of Art.
  • “Collective Creativity” Kunsthalle Fridericianum, Kasel.

2006

  • “Public Space / Two Audiences: Works and Documents from the Herbert Collection” Museu d’Art Contemporani, Barcelona.
  • “Dark Matter” White Cube Gallery, Londres

2007

  • ‘Art and Language’ Peter Blum Gallery, New York
  • ‘For Sale’, curated by Jens Hoffmann, Cristina Guerra Contemporary Art, Lisboa
  • ‘Sympathy for the Devil: Art and Rock and Roll since 1967’, Museum of Contemporary Art, Chicago
  • “Martian Museum of Terrestrial Art’, Barbican Art Gallery, Londres

2008

  • ‘Feelgood things’ curated by Guillaume Biji, Muller Muller Gallery, Konkke-Hesit
  • ‘Brussels Biennial 1’, Brussels Biennial, Bruselas
  • ‘Muzej u senci’, Museum of Contemporary Art Vojvodina, Novi Sad
  • ‘Sympathy for the Devil: Art and Rock and Roll Since 1967’, Musee d’art Contemporaine de Montreal, QC
  • ‘Der Garten der Pfade, die sich verzweigen’, Galerie Thaddaeus Ropac, Paris,
  • ‘Présence Panchounette’ CAPC – Musée d’art contemporain, Bordeaux
  • ‘Sammlung / Collection’, Migros Museum für Gegenwartskunst, Zurich
  • ‘Peripheral vision and collective body’, MUSEION – Museum für moderne und zeitgenössische Kunst , Bolzano
  • ‘‘Group Show 2008’, Ray Hughes Gallery, Sydney
  • ‘Martian Museum of Terrestrial Art’, Barbican, Londres
  • ‘Based on Paper – The Marzona Collection’, Middlesbrough Institute of Modern Art – MIMA, Middlesbrough
  • ‘guess who’s coming’ , Mirta Demare, Rotterdam
  • ‘Sound of Music’, Marres – Centre for Contemporary Culture, Maastricht
  • ‘Art Metropole: The Top 100’, MSVU Art Gallery, Halifax

2009

  • ‘Voids – eine Retrospective‘uber leere Ausstellungen, Kunsthalle Bern, Bern
  • ‘La planete des signes – Concrete Erudition’, FRAC, Ile-de-France
  • ‘Lisson Presents 5’, Lisson Gallery, Londres
  • ‘That’s all Folks!’, Stadshallen, Bruges
  • ‘Lisson Presents 7’, Lisson Gallery, Londres
  • ‘Mirror, Mirror: Then and Now’, IMA, Institute of Modern Art, Brisbane, QLD
  • ‘Schere, Stein, Papier’, Kunsthaus Graz, Graz
  • ‘Sculpture Show’, Eastside Projects, Birmingham, UK
  • ‘Sound of Music’, Turner Contemporary, Margate, Kent
  • ‘1968 Die Grobe Unschuld’, Kunsthalle Bielefeld, Bielefeld
  • ‘A Mancha Humana’, CGAC, Santiago de Compostela
  • ‘Vides, Une retrospective’, Centre Pompidou, Musee National d’art Modern Paris
  • ‘Lisson Presents 1’, Lisson Gallery, Londres
  • ‘Vivre l’art’, collection Venet, Espace de l’art concret, Mouans Sartoux

2010

  • ‘Animism’, MuHKA Museum voor Hedendaagse Kunst Antwerpen, Antwerp
  • ‘Double Bind/ Arretez d’essayer de me comprendre!’ Villa Arson, Nice
  • ‘Animism’, Kunsthalle Bern, Berna
  • ‘Mirror, Mirror: Then and Now’, The Anne & Gordon Museum of Art, Adelaide, SA
  • ‘Algumas Obras a Ler – Colecção Eric Fabre’, Museu Colecção Berardo, LisboA

2011

  • ‘A Monument to Radical Instants’, Virreina Centre de la Imatge, Barcelona,march june
  • ‘Erre, Variations, Labrinthiques’ Centre Pompidou, Metz, September-March 2012
  • ‘Homo Economicus’ MD72 Gallery, Berlin, Dec 2011-Feb, 2012

2012

  • ‘Deep Cuts’, Marres Centre for Contemporary Culture, Maastricht, November
  • ‘Critical Episodes 1957-2011’ Museum of Contemporary Art Barcelona, November-February 2013
  • ‘Materialising “Six Years”: Lucy Lippard and the Emergence of Conceptual Art’, Brooklyn Museum, Sept 2012-Feb 2013.
  • ART BASEL. Stand galería Juana de Aizpuru. Basel

2014

  • ZONA MACO. Stand Galería Juana de Aizpuru. México

 
LIBROS, PANFLETOS, FILMES Y GRABACIONES POR ART & LANGUAGE

1967 Frameworks – Air Conditioning Art & Language Press, Coventry.
Hot-Cold, Art & Language Press, Coventry
1968 22 Sentences: The French Army; Art & Language Press, Coventry
1969 Six Negatives, The Society for Theoretical Art, Nueva York
1971 Theories of Ethics, New York Cultural Centre, Nueva York
Handbook to Ingot, New York Cultural Centre, Nueva York
1972 Art & Language: Texte zum Phänomen Kunst und Sprache, Selected essays by Art & Language (Edición Alemán-Inglés), Verlag Dumont-Schauberg, Colonia
1973 Blurting in A & L, Art & Language Press, New York, and The Mezzanine, Nova Scotia College of Art, Halifax, Nueva Escocia
1974 Art & Language: Proceedings, Kunstmuseum, Lucerna
1975 Art & Language 1966-1975, Selected essays, Museum of Modern Art, Oxford
1976 Corrected Slogans, 21 canciones escritas y producidas por Art & Language, Music-Language, Nueva York/Banbury
‘And Now for Something Completely Different’, (filme de 4 canciones escritas e interpretadas por Art & Language en contribución a Borba New York, un filme de Zoran Popovic, Centar za Fotografija Film i TV, Zagreb)
1978 Art & Language 1975-1978 (ensayos seleccionados), Eric Fabre, París (Edición Francés-Inglés)
1980 Art & Language, Selected essays 1966-80, Stedelijk Van Abbemuseum, Eindhoven
1981 Kangaroo?, (LP) Art & Language con The Red Crayola, Rough Trade Records, (Rough 19)
An Old Man’s Dream, (Sencillo) Art & Language with The Red Crayola, Rough Trade Records (RT 073)
Portrait de V.I. Lenine, Editions Eric Fabre, París
Rattenmensch/Gewichtwachter, (Sencillo) Art & Language con The Red Crayola, Rough Trade Records Production, Phonogram GmbH
1982 Art & Language, (Ensayos seleccionados) Introducción de Christian Schlatter (Musée d’art moderne, Toulon (Edición Francés-Inglés)
1983 Black Snakes, (LP) Art & Language con The Red Crayola, Recommended Records Switzerland, Pure Freud West Germany, distribuidos por Recommended Records, UK
Art & Language, Ikon Gallery, Birmingham
Art & Language, Los Angeles Institute of Contemporary Arts, Los Ángeles
1988 Enssays on Art & Language. Charles Harrison. Blackwells, Oxford.
Art & Language and Luhmann, Institut fur soziale Gegenwarstsfragen, Freiburg and Kunstraum, Vienna. Editado: Passagen Verlag, Vienna. Textos de: Art & Language, Paul Wood, Charles Harrison, Thomas Dreher, Niklaus Luhmann, Catherine David, Peter Weibel.
1989 New Art in the 60s and 70s; Redefining Reality, por Anne Rorimer. Thames and Hudson.
Conceptual Art and Painting: Further Essays on Artv & Language, por Charles Harrison. MIT Press, Cambridge Massachussets y londres, Inglaterra.
Conceptual Art, por Peter Osborne. Phaidon Books. Londores
1991 Art & Language Paints a Picture (VI), Arnolfini Gallery, Bristol
1996 ‘La Conference du Jeu de Paume (L’origine du monde)’, Flammarion 4/Galerie de Paris, París
2004 Conceptual Art, por Michael Corris. Cambridge University Press.
2005 Art & Language: Writings, Lisson Gallery London/Distrito 4 Madrid
Art & Language: Homes from Homes II, Migros Museum fur Gegenwartskunst/JRP
Ringier, Zurich
2007 Sighs Trapped by Liars, (CD) Art & Language and The Red Krayola, Drag City
Records, Chicago
2008 Art & Language, Works 1965-1978, 2007-2008. Mulier Mulier Gallery (exhibition
catalogue)
Art & Language Brouillages/Blurrings. Dessins/Works on Paper 1965-2008. Galerie
Thaddaeus Ropac, Paris (exhibition catalogue)
2009 Art & Language, Espoo Museum of Modern Art, 208 pages (Finnish only)
2010 Five American Portraits, (CD), Art & Language and The Red Krayola, Drag City Records, Chicago