Art & Language

CV

MICHAEL BALDWIN, b. 1945, Chipping Norton, Oxon; artist and writer

MEL RAMSDEN, b. 1944, Ilkeston, Derbyshire; artist and writer

CHARLES HARRISON, b. 1942, Chesham, Bucks; writer and editor.

Art and Language lives and work near Banbury, Oxon.

Exhibitions

SOLO EXHIBITIONS

1967

  • ’Hardware Show’, Architectural Association, London

1968

  • ’Vat ’68’, The Herbert Art Gallery, Coventry
  • ’Dematerialisation Show’, Ikon Gallery, Birmingham

1969

  • Pinacotheca Gallery, Melbourne

1971

  • Galerie Daniel Templon, Paris
  • Galleria Sperone, Torino
  • Tape Show: Exhibition of Lectures’, Dain Gallery, New York
  • ‘Questionnaire’, Galleria Daniel Templon, Milano
  • ‘The Air-Conditioning Show (reconstituted 1966 work)”, Visual Arts Gallery, New York

1972

  • ‘The Art & Language Institute’, Galerie Daniel Templon, Paris
  • ‘Documenta Memorandum (Indexing)’, Galerie Paul Maenz, Cologne
  • ‘Analytical Art’, Galerie Daniel Templon, Paris

1973

  • Galerie Paul Maenz, Cologne
  • Lisson Gallery, London
  • ‘Annotations’, Galerie Daniel Templon, Paris
  • ‘Index 002 Bxal’, John Weber Gallery, New York

1974

  • Galleria Sperone, Turin
  • Galerie Paul Maenz, Cologne
  • Galerie Bischofberger, Zürich
  • Galleria Schema, Florence
  • Lisson Gallery, London
  • Galerie MTL, Brussels
  • ‘Art & Language 1966-1975’, Museum of Modern Art, Oxford
  • Studentski Kulturni Centar, Belgrade

1975

  • ‘New York <—> Australia’, Art Gallery of New South Wales,Sydney, and the National Gallery of Victoria, Melbourne
  • Foksal Gallery, Warsaw
  • ‘Dialectical Materialism’, Galleria Schema, Florence
  • Galerie Ghislain Mollet-Viéville, Paris
  • Galerie MTL, Brussels
  • ‘Music-Language’, Galerie Eric Fabre, Paris
  • ‘Piggy-Cur-Perfect’, Auckland City Art Gallery, Auckland
  • ‘Music-Language’, John Weber Gallery, New York

1977

  • ‘Illustrations for Art-Language’, Robert Self Gallery, London
  • ‘Music-Language’, Galleria Lia Rumma, Rome and Naples
  • Robert Self Gallery, London

1978

  • ‘Art-Language’, Galerie Association, Nice
  • ‘Flags for Organisations’, Cultureel Informatief Centrum, Ghent
  • ‘Flags for Organisations’, Lisson Gallery, London

1979

  • ‘Ils donnent leur Sang; donnez votre Travail’, Galerie Eric Fabre, Paris
  • ‘Portraits of V.I. Lenin in the Style of Jackson Pollock’, Jan Sack, Antwerp

1980

  • ‘Portraits of V.I. Lenin in the Style of Jackson Pollock’, University Gallery, Leeds
  • ‘Portraits of V.I. Lenin and others in the Style of Jackson Pollock’, Lisson Gallery, London
  • ‘Portraits of V.I. Lenin in the Style of Jackson Pollock’,Van Abbemuseum, Eindhoven

1981

  • ‘Gustave Courbet’s ’Burial at Ornans’ Expressing, Galerie Eric Fabre, Paris
  • ‘Portraits of V.I. Lenin in the Style of Jackson Pollock’, Centre d’Art Contemporain, Geneva

1982

  • ‘Index: Studio at 3 Wesley Place Painted by Mouth’, De Vleeshal, Middelburg
  • ‘Art & Language’, retrospective, Musée d’Art Moderne, Toulon

1983

  • ‘Index: Studio at 3 Wesley Place I, II, III, IV’, Gewad, Ghent
  • ‘Index: Studio at 3 Wesley Place (Illuminated by an Explosion Nearby), V, VI’, Lisson Gallery, London
  • Index: Studio at 3 Wesley Place’, Ikon Gallery, Birmingham
  • Index: Studio at 3 Wesley Place (Illuminated by an explosion Nearby), VII, VIII’, Galeria Grita Insam, Vienna
  • Los Angeles Institute of Contemporary Art, Los Angeles

1985

  • ‘Studies for the Studio at 3 Wesley Place’, Tate Gallery, London

1986

  • ‘Confessions: Incidents in a Museum’, Lisson Gallery, London
  • ‘Index: An Incident in a Museum’, Galerie de Paris, Paris

1987

  • ‘Index: Incidents in a Museum’, Lisson Gallery, London
  • ‘Art & Language: The Paintings’, Palais des Beaux-Arts, Brussels
  • Marian Goodman Gallery, New York

1988

  • ‘Hostages’, Lisson Gallery, London

1989

  • ‘Hostages: Incidents and Peoples’ Flags’, Galerie Max Hetzler, Cologne
  • ‘Art & Language: Early Works 1966-1974’, Galerie Sylvana Lorenz, Paris
  • ‘Hostages’, Galleria Schema, Florence

1989

  • ‘Hostages XXIV-XXXV’, Marian Goodman Gallery, New York

1991

  • ‘Hostage Paintings: The Dark Series’, Lisson Gallery, London
  • ‘Hostage Paintings 1987- 1991’, ICA, London; John Hansard Gallery, The University, Southampton; Arnolfini Gallery, Bristol
  • ‘Hostages’, Galerie de Paris, Paris
  • The British School, Rome

1992

  • Galerie Isy Brachot, Brussels
  • Grita Insam Gallery, Vienna

1993

  • Galerie Nationale du Jeu de Paume, Paris

1994

  • ‘Early Work 1965-1976; Recent Work 1991-1994’, Lisson Gallery, London

1995

  • Art & Language and Luhmann’, Kunstraum,Vienna
  • Juana de Aizpuru, Madrid

1996

  • ‘Art & Language’, Kunsthalle St Gallen
  • Juana de Aizpuru, Seville
  • ‘Sighs trapped by Liars’, Galerie de Paris,

1997

  • ‘Art & Language: Conceptual Art from 1966 to 1996’, Mulier-Mulier Gallery, Knokke

1998

  • ‘Sighs Trapped by Liars’, Mulier-Mulier Gallery, Knokke
  • Galerie Poo Poo, London

1999

  • Art & Language in Practice’ , Fundació Antoni Tapies, Barcelona, April-June
  • ‘Cinco Ensayos’, Galería Juana de Aizpuru, Madrid, May.
  • ‘The Artist out of Work: Art & Language 1972-1981’ PS1/Contemporary Art Center, New York, 12 September – 18 December.
  • ‘Three Essays’, Galerie Grita Insam, Vienna, October-November

2000

  • ‘Art & Language & Luhmann No.2’ ZKM, Karlsruhe, April-May
  • ‘Art & Language & Luhmann No.2’ ZKM, Karlsruhe, April-May

2001

  • ’15 Essays’, Mulier mulier Gallery, Knokke, October-November

2002

  • ‘Too Dark to Read: Motifs Rétrospectifs’ , Musée d’art moderne de Lille Métropole, Villeneuve d’ascq. January-May.
  • ‘Mother, Father, Monday’, Lisson Gallery, London (November).

2003

  • ‘What work does the Art work do?’ London Metropolitan University, May.
  • ‘Art & Language’, Migrosmuseum fur gegenwartskunst, Zurich, November

2004

  • “Art & Language”. Centro de Arte Contemporáneo de Málaga. Málaga
  • “Art & Language” Galeria Filomena Soares. Lisboa.

2005

  • “Hard to Say When” Lisson Gallery, London.
  • “Now They Are Surrounded” Centre of Art and Technologic, Karlsruhe. Exhibition to accompany the symposium “Art & Language and Luhmann III” (November -2005)

2006

  • “Art & Language” Galeria Grita Insam. Vienne
  • “Il ne reste qu’à chanter” Galeria L’Erban, Nantes (Miroirs 1965, Karaoke 1975-2005) and Chateau de la Bainerie (Works 1965 – 2005)

2007

  • “Art & Language” Distrito Cu4tro, Galeria de Arte, Madrid
  • “Now they are sorrounded: Reconfigured”. London Metropolitan University.

2008

  • “Brouillages/blurrings. Works on paper”. Galerie Thaddaeus Ropac – Paris.
  • “Art & Language works 1965-78, 2007-2008”. Mulier Gallery, Knokke – Heist

2009

  • “Art & Language”. EMMA, Finlandia
  • “Art & Language”. Espacio Distrito Cu4tro, Madrid
  • “Art & Language, Works on paper “. Galerie Thaddaeus Ropac – Salzburgo

2010

  • “Art & Language”. Mulier Mulier Gallery. Belgica
  • “Art & Language: portraits and a Dream”. Lisson Gallery, Londres

2011

  • “Art & Language: oficial squares again”. Galerie Grita insam, Vienna, Austria.
  • ‘Badges’, Mulier Mulier Gallery, Knokke, August-September.
  • ‘Official Squares Again’, Galerie grita Insam, Vienna, September-November.
  • ‘Portraits and a Dream’.Studio 3, Jarman Building, University of Kent, Canterbury October-December

2012

  • ‘Art & Language’. Migrosmuseum fur Gegenwartskunst, Zurich, March-April.

2013

  • ‘Letters to The Red Krayola’. Kadel Willborn Gallery, Dusseldorf, April-May
  • ‘Art & Language’. Museum Dhont-Dhaenens, Deurle, April-June
  • ‘Art & Language’. Garage cosmos, Brussels, April-June.
  • ‘Art & Language paints a picture’. Galeria Juana de Aizpuru. Madrid

2014

  • ‘Art & Language Incompleto’. Méaille collection. MACBA-Museo de Arte Contemporáneo de Barcelona.

GROUP EXHIBITIONS

1968

  • ‘Language II’, Dwan Gallery, New York

1969

  • ‘March’, catalogue-show, Seth Sieglaub, New York
  • Paula Cooper Gallery, New York
  • Simon Fraser University, British Columbia
  • ‘557, 087’, Seattle, Washington
  • ‘955, 000’, Vancouver, British Columbia

1970

  • ‘Art in the Mind’, Allen Memorial Art Museum, Oberlin, Ohio
  • ‘Conceptual Art and Conceptual Aspects’, New York, Cultural Centre, New York
  • ‘Information’, Museum of Modern Art, New York
  • ‘Language IV’, Dwan Gallery, New York
  • ‘Idea Structures’, Camden Arts Centre, London
  • ‘Summer Show’, Studio International, London
  • ‘Concept-Théorie’, Galerie Daniel Templon, Paris

1971

  • ‘The British Avant-Garde’, New York Cultural Center, New York
  • ‘Septième Biennale des Jeunes’, Parc Floral de Paris, Paris
  • ‘Al Arte come Idea en Ingleterra’, Buenos Aires (and tour of South America)
  • ‘The Boardwalk Show’, Atlantic City, New Jersey
  • ’Taal-Kunst; een faset van Konseptuele Kunst’, Utrecht
  • ‘Arte Conceptuale’, Galleria Daniel Templon, Milan
  • ‘Art Systems’, Museum of Art, Buenos Aires
  • ‘Art as Idea’, Victoria and Albert Museum Circulation Department, London (permanent loan collection)

1972

  • ‘Conceptual Art’, Gallery of the Students’ Cultural Centre, Belgrade
  • ‘Encuestros’, Pamplona
  • ‘Konzept Kunst’, Kunstmuseum, Basle
  • ‘De Europa’, John Weber Gallery, New York
  • ‘Dokumenta 5’, Museum Friedericianum, Kassel
  • ‘The New Art’, Hayward Gallery, London

1973

  • ‘Einige Frume Beispiele Konzeptueller Kunst Analytischen Charakters’, Galerie Paul Maenz, Cologne
  • ‘Contemporanea’, Rome

1974

  • ‘L’Art au Present’, Palais Galliera, Paris
  • ‘Projekt’74’, Cologne
  • ‘Kunst uber Kunst’, Kunstverein, Cologne
  • ‘New York Art & Language’, Galleria Schema, Florence
  • ‘Summer Group Show’, John Weber Gallery, New York
  • ‘Report from SoHo’, Gray Gallery, New York University, New York

1976

  • ‘Drawing Now’, Museum of Modern Art, New York
  • ‘Arte Inglese oggi 1960-76’, Palazzo Reale, Milan
  • ‘Sculptor’s Drawings’, Fine Arts Building, New York
  • ‘Biennale di Venezia’, Venice
  • ‘New Work/New York’, Fine Arts Gallery, California State University, Los Angeles

1977

  • ‘Lisson Gallery’, Fine Arts Building, New York
  • ‘Radical Attitudes to the Gallery’, Art Net, London
  • ‘Ils donnent leur Sang: donnez votre Travail’, mural at Eldon Square Shopping Centre, contribution to an exhibition of art in public spaces throughout Newcastle-upon-Tyne

1978

  • ‘Poster-Work’, Belgrade Museum, Belgrade
  • Group Show, Lisson Gallery, London

1979

  • ‘Un Certain Art Anglais’, Musée d’art moderne de la Ville de Paris
  • ‘Languages’, Third Eye Centre, Glasgow

1980

  • ‘Kunst in Europa na ’68’, Museum van Hedendaagse Kunst, Ghent

1981

  • Summer Group Show Lisson Gallery, London
  • Museum van Hedendaagse Kunst, Ghent

1982

  • ‘Aspects of British Art Today’, Metropolitan Museum, Tokyo
  • ‘Mannerism: a Theory of Culture’, The Vancouver Art Gallery
  • ‘Dokumenta 7’, Kassel

1983

  • ‘New Art’, Tate Gallery, London
  • ‘Masterworks of Conceptual Art’, Galerie Paul Maenz, Cologne

1984

  • Sydney Biennale, Sydney
  • ‘1965-1972 When Attitudes Became Form’, Kettle’s Yard, Cambridge
  • ‘L’Architecte est absent: works from the collection of Annick and Anton Herbert’, Van Abbemuseum, Eindhoven
  • Atheneum, Hartford, Connecticut

1985

  • ‘The British Art Show’, Ikon Gallery, Birmingham

1986

  • ‘Prospekt 86’, Frankfurter Kunstverein, Frankfurt

1987

  • ‘Perverted by Language’, Hillwood Art Gallery, Long Island University
  • ‘British Art of the Twentieth Century: The Modern Movement’, Royal Academy, London.
  • ‘Current Affairs: British Painting and Sculpture in the ’80s’, Museum of Modern Art, Oxford
  • ‘British Art of the 1980s’, Liljevalks, Konsthall, Stockholm
  • ‘Minimal Art, Conceptul Art, Narrative Art, Art & Language’, Galerie Christian Cheneau, Paris.
  • ‘The Analytical Theatre: New Art from Britain’, organized by the Independent Curators Inc, New York: Akron Art Museum, Ohio; Alberta College of Art, Calgary;University Art Museum California State University, Long Beach;Institute of Contemporary Art, University of Pennsylvania, Philadelphia

1988

  • ‘British Art: The Literate Link’, Asher/Faure, Los Angeles
  • ‘Art Conceptuel 1’, Musée d’art contemporain, Bordeaux
  • ‘Starlit Waters’, Tate Gallery, Liverpool

1989

  • ‘Words’, Tony Shafrazi Gallery, New York
  • ‘Jet Lag’, Turon Travel Inc., New York
  • ‘Sans titre 1989’, Musée national d’art moderne, Centre Georges Pompidou, Paris
  • ‘The Situationist International, 1957-1972’, Musée national d’art moderne, Centre Georges Pompidou, Paris; Institute of Contemporary Art, London; Institute of Contemporary Art, Boston
  • ‘L’art conceptual, une perspective’, Musée d’art moderne de la Ville de Paris; Fundacion Caja de Pensiones, Madrid; Deichtorhallen, Hamburg; Musée d’art contemporain, Montreal

1990

  • ‘Glasgow’s Great British Art Exhibition’, McLellan Galleries, Glasgow
  • ‘Approaches to Realism’, Bluecoat Gallery, Liverpool, Oldham Art Gallery, Oldham; Darlington Arts Centre, Darlington
  • ‘65-75 Aspetti e Pratiche dell’ Arte Europea’, Castello di Rivara, Torino
  • ‘Art Conceptuel, Formes Conceptuelles’, Galerie 1900-2000, Paris
  • ‘Rhetorical Image’, The New Museum of Contemporary Art, New York
  • Team Spirit’, organized by Independent Curators Incorporated, New York: Neuberger Museum, New York; Cleveland Center for Contemporary Art, Cleveland; The Art Museum at Florida International University, Miami; Spirit Square Center for the Arts, Charlotte; Davenport Art Museum, Davenport; Laumeier Sculpture Park, St. Louis

1991

  • ‘Inheritance and Transformation, Selected Works and New Projects’, The Irish Museum of Modern Art, Dublin

1992

  • ‘Knowledge: Aspects of Conceptual Art’, University Art Museum, Santa Barbara
  • ‘Travaux d’Artistes’, Galerie Roger Pailhas, Paris and Marseille
  • ‘The Cutting Edge’, Barbican Art Gallery, London
  • ‘Repeticion/Transformacion’, Museo Nacional Centro de Arte Reina Sofia, Madrid
  • ‘La Freccia Evolutiva dell’Irreversibilitá’, Studio Oggetto, Milan
  • ‘Le Sens Figuré’, Acquisitions of FRAC d’Ile-de-France 19911992, Centre international d’art contemporain de Montreal, Quebec.
  • Centre Culturel, Pierrefonds; Galerie Les 3 C, LaSalle; Maison de la Culture Cote-des-Neiges, Montreal; Studio A, Montreal
  • ’1968’, L’Usine, Dijon
  • ‘Now They Are’, Grita Insam Gallery, Vienna

1993

  • ‘Die Arena Des Privaten’, Kunstverein, Munich

1994

  • ‘The Ideal Place III’, Haags Centrum voor Aktuele Kunst, The Hague
  • ‘Answer Machine Project. 50 x 50 x 50’, Organized by David Goldenberg and John Roberts, London

1995

  • ‘British Art of the 1980s & 1990s – works from the WeltKunst Collection’, The Irish Museum of Modern Art, Dublin
  • ‘From Here’, Waddington Galleries and Karsten Schubert Gallery, London
  • ‘Les fragments du désir’, Futur Musée des Instruments, Brussels
  • ‘Toponimias (8) Ohos Ideas Del Espacio’, Fundación ‘La Caixa’, Madrid
  • ‘Reconsidering the Oject of Art 1965-1975’, Museum of Contemporary Art, Los Angeles

1997

  • ‘The Impossible Document: Photography and Conceptual Art in Britain 1966-1976’, Camerawork, London
  • ‘Magic der Zahl in der Kunst des 20 Jahrhunderts’, Staatsgalerie, Stuttgart
  • ‘Documenta X’, Kassel
  • ‘Musterwohen’, Hofgarten am gendarmenmarkt, Berlin.
  • ‘Livres d’artistes. L’invention d’un genre 1960-1980’, GalerieMansart,Paris.

1998

  • ‘Odradek’ Bard College, New York
  • ‘l’envers du décor, Dimensions décoratives dans l’art du xxe Siècle’, Musée d’art Moderne, Villeneuve d’Ascq

1999

  • ‘Museum as Muse: Artists Reflect’, Museum of Modern Art, New York
  • ‘Global Conceptualism: Points of Origin 1950s-1980s’, Queens Museum of Art, NewYork, April-August
  • ‘Arrested Ambition’, Apex Art New York, curated by Gregory Williams, May-June
  • ‘Get Together, Kunst Als Teamwork’, Kunsthalle, Wien, October-November
  • ‘The 1999 East Wing Collection’, Courtauld Institute of Art, London, November

2000

  • ‘Live in Your Head: Concept and Experiment in Britain 1965-75’, Whitechaple Whitechaple Gallery, London, February-April.
  • ‘The British Art Show 5’, touring exhibition organised by The Hayward Gallery, Edinburgh April-June.
  • ‘Many Coloured Objects placed side by side to form a row of Many Coloured Objects’, works from the collection of Annick and Anton Herbert, Casino Luxembourg, October.
  • ‘Conception, Conceptual Documents 1968-72’ Norwich Gallery (January) and travelling to the Henry Moore Institute and Chisendale Gallery, London.
  • ‘Live in Your Head’, Museu do Chiado, Lisbon, February Biennale Leuven, April-June

2001

  • ‘Live in Your Head: Concept and Experiment in Britain
  • 1965-75’ Whitechaple Gallery,London, February-April.
  • ‘The British Art Show 5’, touring exhibition organised by The Hayward Gallery, Edinburgh April-June.
  • ‘Many Coloured Objects placed side by side to form a row of Many Coloured Objects’, works from the collection of Annick and Anton Herbert, Casino Luxembourg, October.

2002

  • ART 33 BASEL. Stand Galería Juana de Aizpuru. Basel, Switzerland.
  • ART BASEL MIAMI BEACH. Stand Galería Juana de Aizpuru. Miami, FL. USA
  • ‘Shoot The Singer: Music on Video’, Institute of Contemporary Art, University ofPennsylvania, Philadelphia, March-April.
  • ‘Iconoclash’, Center for Art and Media (ZKM) Karlsruhe, May-August
  • ‘Conceptual Art 1965-1975 from Dutch and Belgium Collections’, Stedelijk museum, Amsterdam., April, June.
  • ‘Art & Language Paints a Picture’, Theorie-installation der Jackson Pollock Bar, Theatre der Welt, Festivalzentrum, Bonn, June
  • ‘Kunst Nach Kunst’, Neue Museum Weserburg, Bremen, August.
  • ‘Blast to Freeze: Britische Kunst im 20.Jahrhunert’, Kunstmuseum, Wolfsburg
  • ‘Sans Commune Mesure’, au Centre de la photographie, Paris; Musée d’art Moderne de Lille Métropole, Villeneuve d’Ascq; au Fresnoy, studio national des arts contemoporain, September-January 2003

2003

  • ARCO 2003. Stand Galería Juana de Aizpuru. Madrid.
  • ART 34 BASEL. Stand Galería Juana de Aizpuru. Basel, Switzerland.
  • ‘Glad that Things don’t Talk’, works selected by Adrian Searle from the Weltkunst
  • Collection of British Art, Irish Museum of Modern Art, Dublin, April.
  • ‘John Russell Presents: Frozen Tears’, Cabinet Gallery, London, April.
  • Venice Biennale (‘Individual Systems’ curated by Igor Zabel)
  • ‘What am I doing Here? (A Political Exhibition) Esso Gallery, New York, June-July.
  • ‘Wittgenstein Family Likenesses’, Institute of Visual Culture/Wittgenstein Archives,
  • Cambridge, October-November.
  • ‘Adorno’, Frankfurter Kunstverein, October-January 2004
  • White Cube. London. England.

2004

  • ARCO’04. Stand Galeria Juana de Aizpuru. Madrid
  • “Berlin-Moscow / Moscow Berlin 1950-2000”. Martin Gropius Bau. Berlin
  • Art 35 Basel. Stand Galería Juana de Aizpuru. Basilea, Suiza
  • “N(E)ORRETRATOS” Galería Juana de Aizpuru. Madrid
  • “Before the End (The Last Painting Show)” Curated by Olivier Mosset, Swiss Insititute, New York, USA

2005

  • ARCO’05. Stand Galería Juana de Aizpuru. Madrid
  • “Cram Sessions: 03 Sound Politics”, Baltimore Museum of Art.
  • “Collective Creativity” Kunsthalle Fridericianum, Kasel.

2006

  • “Public Space / Two Audiences: Works and Documents from the Herbert Collection” Museu d’Art Contemporani, Barcelona.
  • “Dark Matter” White Cube Gallery, London.

2007

  • ‘Art and Language’ Peter Blum Gallery, New York
  • ‘For Sale’, curated by Jens Hoffmann, Cristina Guerra Contemporary Art, Lisbon,
  • ‘Sympathy for the Devil: Art and Rock and Roll since 1967’, Museum of Contemporary Art, Chicago
  • “Martian Museum of Terrestrial Art’, Barbican Art Gallery, London

2008

  • ‘Feelgood things’ curated by Guillaume Biji, Muller Muller Gallery, Konkke-Hesit
  • ‘Brussels Biennial 1’, Brussels Biennial, Brussels
  • ‘Muzej u senci’, Museum of Contemporary Art Vojvodina, Novi Sad
  • ‘Sympathy for the Devil: Art and Rock and Roll Since 1967’, Musee d’art Contemporaine de Montreal, QC
  • ‘Der Garten der Pfade, die sich verzweigen’, Galerie Thaddaeus Ropac, Paris,
  • ‘Présence Panchounette’ CAPC – Musée d’art contemporain, Bordeaux
  • ‘Sammlung / Collection’, Migros Museum für Gegenwartskunst, Zurich
  • ‘Peripheral vision and collective body’, MUSEION – Museum für moderne und zeitgenössische Kunst , Bolzano
  • ‘‘Group Show 2008’, Ray Hughes Gallery, Sydney
  • ‘Martian Museum of Terrestrial Art’, Barbican, London
  • ‘Based on Paper – The Marzona Collection’, Middlesbrough Institute of Modern Art – MIMA, Middlesbrough
  • ‘guess who’s coming’ , Mirta Demare, Rotterdam
  • ‘Sound of Music’, Marres – Centre for Contemporary Culture, Maastricht
  • ‘Art Metropole: The Top 100’, MSVU Art Gallery, Halifax

2009

  • ‘Voids – eine Retrospective‘uber leere Ausstellungen, Kunsthalle Bern, Bern
  • ‘La planete des signes – Concrete Erudition’, FRAC, Ile-de-France
  • ‘Lisson Presents 5’, Lisson Gallery, London
  • ‘That’s all Folks!’, Stadshallen, Bruges
  • ‘Lisson Presents 7’, Lisson Gallery, London
  • ‘Mirror, Mirror: Then and Now’, IMA, Institute of Modern Art, Brisbane, QLD
  • ‘Schere, Stein, Papier’, Kunsthaus Graz, Graz
  • ‘Sculpture Show’, Eastside Projects, Birmingham, UK
  • ‘Sound of Music’, Turner Contemporary, Margate, Kent
  • ‘1968 Die Grobe Unschuld’, Kunsthalle Bielefeld, Bielefeld
  • ‘A Mancha Humana’, CGAC, Santiago de Compostela
  • ‘Vides, Une retrospective’, Centre Pompidou, Musee National d’art Modern Paris
  • ‘Lisson Presents 1’, Lisson Gallery, London
  • ‘Vivre l’art’, collection Venet, Espace de l’art concret, Mouans Sartoux

2010

  • ‘Animism’, MuHKA Museum voor Hedendaagse Kunst Antwerpen, Antwerp
  • ‘Double Bind/ Arretez d’essayer de me comprendre!’ Villa Arson, Nice
  • ‘Animism’, Kunsthalle Bern, Bern
  • ‘Mirror, Mirror: Then and Now’, The Anne & Gordon Museum of Art, Adelaide, SA
  • ‘Algumas Obras a Ler – Colecção Eric Fabre’, Museu Colecção Berardo, Lisbon

2011

  • ‘A Monument to Radical Instants’, Virreina Centre de la Imatge, Barcelona, march june
  • ‘Erre, Variations, Labrinthiques’ Centre Pompidou, Metz, September-March 2012
  • ‘Homo Economicus’ MD72 Gallery, Berlin, Dec 2011-Feb, 2012

2012

  • ‘Deep Cuts’, Marres Centre for Contemporary Culture, Maastricht, November
  • ‘Critical Episodes 1957-2011’ Museum of Contemporary Art Barcelona, November-February 2013
  • ‘Materialising “Six Years”: Lucy Lippard and the Emergence of Conceptual Art’, Brooklyn Museum, Sept 2012-Feb 2013.
  • ART BASEL. Stand galería Juana de Aizpuru. Basel

2014

  • ZONA MACO. Stand Galería Juana de Aizpuru. México

BOOKS, PAMPHLETS, FILMS AND RECORDS BY ART & LANGUAGE

1967 Frameworks – Air Conditioning Art & Language Press, Coventry.
Hot-Cold, Art & Language Press, Coventry
1968 22 Sentences: The French Army; Art & Language Press, Coventry
1969 Six Negatives, The Society for Theoretical Art, New York
1971 Theories of Ethics, New York Cultural Centre, New York
Handbook to Ingot, New York Cultural Centre, New York
1972 Art & Language: Texte zum Phänomen Kunst und Sprache, Selected essays by Art & Language (German-English edition), Verlag Dumont-Schauberg, Cologne
1973 Blurting in A & L, Art & Language Press, New York, and The Mezzanine, Nova Scotia College of Art, Halifax, Nova Scotia
1974 Art & Language: Proceedings, Kunstmuseum, Luzern
1975 Art & Language 1966-1975, Selected essays, Museum of Modern Art, Oxford
1976 Corrected Slogans, 21 songs written and produced by Art & Language, Music-Language, New York/Banbury
‘And Now for Something Completely Different’, (film of 4 songs written and performed by Art & Language a contribution to Borba New York, a film by Zoran Popovic, Centar za Fotografija Film i TV, Zagreb)
1978 Art & Language 1975-1978 (selected essays), Eric Fabre, Paris (French-English edition)
1980 Art & Language, Selected essays 1966-80, Stedelijk Van Abbemuseum, Eindhoven
1981 Kangaroo?, (LP) Art & Language with The Red Crayola, Rough Trade Records, (Rough 19)
An Old Man’s Dream, (Single record) Art & Language with The Red Crayola, Rough Trade Records (RT 073)
Portrait de V.I. Lenine, Editions Eric Fabre, Paris
Rattenmensch/Gewichtwachter, (Single record) Art & Language with The Red Crayola, Rough Trade Records Production, Phonogram GmbH
1982 Art & Language, (Selected essays) Introduction by Christian Schlatter (Musée d’art moderne, Toulon (French-English edition
1983 Black Snakes, (LP) Art & Language with The Red Crayola, Recommended Records Switzerland, Pure Freud West Germany, distributed by Recommended Records, UK
Art & Language, Ikon Gallery, Birmingham
Art & Language, Los Angeles Institute of Contemporary Arts, Los Angeles
1988 Enssays on Art & Language. Charles Harrison. Blackwells, Oxford.
Art & Language and Luhmann, Institut fur soziale Gegenwarstsfragen, Freiburg and Kunstraum, Vienna. Ed: Passagen Verlag, Vienna. Texts by: Art & Language, Paul Wood, Charles Harrison, Thomas Dreher, Niklaus Luhmann, Catherine David, Peter Weibel.
1989 New Art in the 60s and 70s; Redefining Reality, by Anne Rorimer. Thames and Hudson.
Conceptual Art and Painting: Further Essays on Artv & Language, by Charles Harrison. MIT Press, Cambridge Massachussets and London, England.
Conceptual Art, by Peter Osborne. Phaidon Books. London
1991 Art & Language Paints a Picture (VI), Arnolfini Gallery, Bristol
1996 ‘La Conference du Jeu de Paume (L’origine du monde)’, Flammarion 4/Galerie de Paris, París
2004 Conceptual Art, by Michael Corris. Cambridge University Press.